In his sixth book of poems, Alan Shapiro once again shows that he is a master at articulating the secrets of the heart. The Dead Alive and Busy deals with issues of personal identity as revealed through examining the intimate bonds of family life. The poems explore these familial relations in terms of the religious, social, and literary contexts that inform them, delving into such universal themes as human frailty, illness and death, bereavement, and thwarted desires. By turns lyrical and narrative, slangy and elevated, analytical and visionary, this collection showcases one of America's most important poets in his top form. Praise for Alan Shapiro: "Shapiro is a shrewd and sympathetic moralist. He never trivializes his subjects with high-minded flourishes or stylistic gimmicks."--J. D. McClatchy, New York Times Book Review
Alan Shapiro has, in this volume, created a world where, for better or for worse, the past is not missing: instead, it walks around in our world, befriending us or pestering us, stopping at nothing, even death. And yet these are poems of loss, or loss that will not complete itself, as in Joyce's "absence is the highest form of presence."Take the poem "Ghost," in which a dead woman speaks to her widower: even the past is haunted by its own past. Or the poems of or to the speaker's dead or dying relatives & loved ones: the touches that have ended in withdrawn hands but remain in lingering feeling.Shapiro's knowledge of poetry is astounding, & he uses that knowledge (which is, by the way, so much more than mere knowledge) to build subtle, strong, and elegant poetry. He has been doing it for years; his earlier work--excellent as it is--is mere exercize for the power of The Dead Alive and Busy.
a mature, compelling book of poems
Published by Thriftbooks.com User , 25 years ago
The Times reviewer is right that THE DEAD ALIVE AND BUSY is "weighted with grief," but that's only the half of it. Shapiro is a master of structure, a poetic maker who understands that what makes grief bearable is the song the poet builds to contain feeling. This volume begins with an extraordinary hymn to Apollo, a poem which points to the way that poetry's work is to marry the pleasures of music to the stuff of human experience -- to sing, in other words, about our suffering, our failures and our nobility. It's a poem that points to this collection's project, and prepares us for the deep humanity, psychological insight, and formal grace of the poems that follow. This is one of the best books of the year.
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