The acclaimed author of Jesus' Son and Already Dead returns with a beautiful, haunting, and darkly comic novel. The Name of the World is a mesmerizing portrait of a professor at a Midwestern university who has been patient in his grief after an accident takes the lives of his wife and child and has permitted that grief to enlarge him. Michael Reed is living a posthumous life. In spite of outward appearances--he holds a respectable university teaching position; he is an articulate and attractive addition to local social life--he's a dead man walking. Nothing can touch Reed, nothing can move him, although he observes with a mordant clarity the lives whirling vigorously around him. Of his recent bereavement, nearly four years earlier, he observes, "I'm speaking as I'd speak of a change in the earth's climate, or the recent war." Facing the unwelcome end of his temporary stint at the university, Reed finds himself forced "to act like somebody who cares what happens to him. " Tentatively he begins to let himself make contact with a host of characters in this small academic town, souls who seem to have in common a tentativeness of their own. In this atmosphere characterized, as he says, "by cynicism, occasional brilliance, and small, polite terror," he manages, against all his expectations, to find people to light his way through his private labyrinth. Elegant and incisively observed, The Name of the World is Johnson at his best: poignant yet unsentimental, replete with the visionary imaginative detail for which his work is known. Here is a tour de force by one of the most astonishing writers at work today.
What to say? Another great chapter of the greatest american novel in progress. Read it in couple of hours and feels like a whole life. Thank you, Johnson.
Excess talent
Published by Thriftbooks.com User , 25 years ago
It's scary what a good writer Johnson is, and it must be scary to him. The Name of the World is an exploration of how far you can go if you trust your talent (and if you are as talented as Johnson) -- it's about seeing what happens when you go there: what happens when the eroticized goal of most fiction can be put aside in favor of another goal, an exploration of what can happen when eros is acknowledged and put aside. What you get is a kind of intensity that can only be literary -- can only be afforded by literary space. I don't mean that Johnson is an extreme experimentalist, although his originality is shocking. I mean that he's an explorer of extremity, and things get to that point in this book when you start wishing -- paradoxically -- for something other than the satisfaction of a wish. Johnson reminds us that literature isn't at its most intense about wish-fulfillment (as Freud suspected) but about what's other to all possibility of fulfillment: a kind of longing for the name of the world which is the only name it can have.
An uncanny piece of fiction
Published by Thriftbooks.com User , 25 years ago
Another treasure from a writer who continues to inject hard comedy into his stories of loss and redemption. The only quibbles I have with this novel concern the editing. On the day that Mike Reed follows Flower Cannon, he notes, among other things, that her boots are white. A little later these same boots have changed color to black. Also, Flower mentions that she has two sisters-Daisy and Kali-and that she was seven years old when Kali was born. During her story about her name, Flower recalls events that occurred when she was four years old; yet she distinctly remembers that at that time her mother and her sisters helped her plant tulip bulbs-this despite the fact that Kali hadn't been born yet. Also, Flower talks of celebrating every Fourth of July until '93-a date beyond the action of the book. Finally, that lonesome parenthesis on top of page 111. Denis Johnson is much too good a writer to be allowed into print in this shoddy fashion. I guess what I'm really saying is where the hell is Maxwell Perkins when you need him?
Naming the World
Published by Thriftbooks.com User , 25 years ago
The brief, strange, magical, and moving narrative of a man coming to life again after the death of his wife and daughter four years previously. He comes to understand that the name of the world, and of our lives, is "remakable." Highly recommended.
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